Heritage & Culture

The People

The inhabitants of the Kumaon hills are commonly known as the Kumaoni. The social structure is based on the extended family system, the eldest male member being the head of the family. Women are respected in society but they usually confine themselves to household activities. No religious ceremony is considered complete without the wife joining the husband. Women also work in the fields and forests alongside the men.

Language Spoken

The local dialects spoken by the people of Kumaon is termed as Kumaoni. The dialect however changes from district to district. According to ethnolinguistic experts Kumaoni language has been given the code ISO 639-3:kfy.

Music & Dance

The inhabitants of the Kumaon hills are commonly known as the Kumaoni. The social structure is based on the extended family system, the eldest male member being the head of the family. Women are respected in society but they usually confine themselves to household activities. No religious ceremony is considered complete without the wife joining the husband. Women also work in the fields and forests alongside the men.

Culture

The culture of the present Kumaon is a blend of influences from the indigenous population as well as from the immigrants to this region. Consequently, the myths, dialects, languages, folk literature, festivals, fairs and forms of artistic expression are examples of the creative influences of the different cultural groups that constitute Kumaon.

Every peak, lake or mountain range is somehow or the other connected with some myth or the name of a God or Goddess, ranging from those associated with the Shiva, Shakti and Vaishnava traditions, to local Gods like Ham, Saim, Golla, Chhurmal, Kail Bisht, Bholanath, Gangnath, Airy and Chaumu. Temples are dedicated to the nine famous Goddesses, other local Goddesses, Bhairava, Surya:. and Ganesh. The temples at Jageshwar, Bageshwar, Binsar, Thalkedar, Rameshwar, Pancheshwar, Baijnath and Gananath are devoted to Lord Shiva. The temples of Devidhura, Gangolihat, Pumagiri, Almora, Nainital, Kot Ki Mai and Kotgari Devi are associated with the Shakti tradition, while the region of Lohaghat – Champawat (Mount Kandeo) is associated with Kunna Avatar. This region also has two famous Sun temples.

Festivals of Kumaon

The main festivals which are either peculiar to Kumaon or are observed with lots of festivity and enthusiasm are given in succeeding paragraphs.

Kumaoni Holi (February – March)

The uniqueness of the Kumaoni Holi lies in its being a musical affair, whichever may be its form, be it the Baithki Holi, the Khari Holi or the Mahila Holi. The Baithki Holi and Khari Holi are unique in that the songs on which they are based have touch of melody, fun and spiritualism. These songs are essentially based on classical ragas. No wonder then the Baithki Holi is also known as Nirvan Ki Holi.

The Baithki Holi begins from the premises of temples, where Holiyars (the professional singers of Holi songs) as also the people gather to sing songs to the accompaniment of classical music.Kumaonis are very particular about the time when the songs based on ragas should be sung. For instance, at noon the songs based on Peelu, Bhimpalasi and Sarang ragas are sung while evening is reserved for the songs based on the ragas like Kalyan, Shyamkalyan and Yaman etc. The Khari Holi is mostly celebrated in the rural areas of Kumaon. The songs of the Khari Holi are sung by the people, who sporting traditional white churidar payajama and kurta, dance in groups to the tune of ethnic musical instruments.

Harela and Bhitauli (July – August)

On the first day of the navaratris (nine day holy period) of the month of Chaitra women fill baskets with soil and sow seven types of grains in them. The grains germinate symbolizing the future harvest. These yellow leaves, called Harela, are cut on the tenth day and people put them on their heads and behind their ears. During the month of Chaitra (March-April) brothers send presents to their sisters and parents to their daughters. These presents are called Bhitauli.

However, the more popular Harela is the one that is celebrated in the month of Shravan to commemorate the wedding of Lord Shiva and Parvati and to welcome the rainy season and the new harvest. On this day people make Dikaras or clay statues of Gauri, Maheshwar, Ganesh etc. and worship them. Even the overworked bullocks are given a rest on the occasion of Harela. People put the blades of freshly cut Harela on their heads and send them to their relatives and friends as well.

Bat Savitri

This festival is celebrated on the Krishna amavasya (last day of the dark half of the month) of Jyestha and on the day married women worship Savitri and the Bat or banyan tree (Ficus benghalensis) and pray for the well being of their spouses. Women observe fast in honour of Savitri and Satyavan and remember how Savitri through her intense devotion saved her husband from the claws of death.

Ganga Dusshera or Dasar

Ganga Dusshera is celebrated on the Shukla dasami of the Jyestha (May – June). The sacred Ganga is worshipped on this day and Dusshera posters (dwarpatras or dasars), which have various geometric designs on them, are put up on the doors of houses and temples. These posters, once hand written by brahmins, are now printed. On this day people bathe in the holy rivers.

Basant Panchami

The festival of Basant Panchami celebrates the coming of the spring season. This festival, which also signals the end of winter, is generally celebrated during Magh (January – February). During this festival people worship the Goddess Saraswati, use yellow handkerchiefs or even yellow cloths and in a few places people put a yellow tilak on their foreheads. This festival also marks the beginning of holi baithaks.

Kojagar Purnima ( Minor Diwali)

This festival is observed as a minor Diwali on the full moon day in September- October month. Worship of Goddess Luxmi takes place at night and diwali lamps are also lit.

Vijaya Dasmi also Called Dasaain

The tenth day of the bright half of September – October is called DASAAIN in Kumaon. It is the main festival of Kumaon and is celebrated all over with lots of gusto and enthusiasm. Harela is offered to Gods and Goddesses and then later applied to other members of the family. A bright red TILAK is applied to the forehead.

Khatarwa

Children celebrate this festival with lots of enthusiasm. They collect fire wood and burn it like on Holi day. They also make a cloth dummy at the end of a stick and beat him. This denotes the Victory of Kumaon over Garwhal and the death of a cruel General from Garwhal called SARDAR KHATAR SINGH

Heritage

Sanskars (संस्कार)

PACHAULI (पचौली) - On the fifth day of the birth of a child, the mother and the child are given a bath, followed by puja and singing of traditional songs.

CHHATI (छठी) - This event is celebrated on the sixth day of a child’s birth. It is day long event and generally finishes in the evening. It usually consists of decorating the house with traditional aipans and other things, singing of traditional Kumaoni songs followed by lunch.

NAWAN (नवन) - This is celebrated the ninth day of the child’s birth. Basically it is celebrated in the same manner as the PACHULI.

NAMKARAN (नामकरण) - On the eleventh day of the child’s birth the namkaran ceremony takes place. The house is decorated with AIPANS (ऐपण). Brahmin is called for puja. The child is exposed to the sun for the first time on this day, similarly he is made to touch the earth on this day. A coonch shell is wrapped in a new cloth and the brahmin takes it near the childs ear and very gently speaks the childs name in his/ her ear. This cloth is then kept in the puja place and used to make a dress which the child wears on their ANNA-PRASHAN day.

ANNA-PRASHAN (अन्नप्राशन) - This event is celebrated in the fifth month in case of a girl child and the sixth month of a boy.The house is decorated with AIPANS. Guests are called, puja is done and later the mother does symbolic feeding of the child with a gold ring.it is a tradition to keep items like toys, silver coin, pen, ink, books, janau and knife on a big plate. The child is taken near the plateand encouraged to pick or touch any of the items. It is said that if he touches or pick the items as shown below they will be inclined to the profession as given below

FIRST BIRTH DAY - This is also celebrated in the traditional way. The child is given a traditional bath in a big brass vessel called PARAT. Wheat flour is mixed with turmeric and used to rub the child. All relatives pour water over the child as a symbolic gesture. This is followed by a feast.

CHUDA KARAM - This is celebrated on the third birthday of a child. Five different pujas , GANESH PUJA, MATRI (Mothers) PUJA, KALASH STHAPANA, NAV GRAH (Nine planets) PUJA, and PUNYA WACHAN are done. After this the hair of the child are shaved off. The child’s ear are also pierced on this day.

AKSHAR AARAMBH - This is done on the child’s fifth birthday. In KUMAON the studies start in the fifth year. After puja of Ganesh, Saraswati and GURU PUJA, the Brahmin starts his formal studies on this day by teaching him the alphabets.

JANAU ALSO CALLED BARPAND - This is second most important day in the life of a male child. The house is decorated with AIPANS. Guests are invited. Puja on this day is more elaborate than on previous occasions. After puja the boy wears the sacred thread called JANAU. He takes pledge to remain a BRAHMCHARI till he completes his education. His head is tonsured on this day. This day is normally celebrated in the odd birthday like seventh, ninth, eleventh, thirteenth etc.

VIVAAH - Vivah or marriage is the most important day in any persons life, irrespective or his religious denomination. In India marriages ceremony are of various types for example BRAHMA or DEV VIVAH, GANDHARV VIVAH, ASYRA VIVAH and so on. In Kumaon DEV VIVAH or BRAHMA VIVAH is prevalent. In this form of ceremony the parents and the priest play the central role. Marriage ceremony in Kumaon is very elaborate affair.

Marriage (विवाह)

Kumaoni weddings are very simple but are solemnized with a number of rituals and traditions. In the villages and in interiors traditionally, a white flag called ‘Nishan’ leads the marriage procession representing the bridegroom, followed by drummers, pipers and a white palanquin carrying the groom. The last man of the procession carries another flag, of red colour, representing the bride. When the marriage party returns from the girl’s home after completing all ceremonies, the red flag takes the lead followed by a red palanquin of the bride, succeeded by the white palanquin of the groom, and the white flag at the tail end of the procession.

BARPAND or JANAU - It takes place a day earlier in case the boy has not had his JANAU earlier. A boy cannot be married without his JANAU.

VAKYA DAAN - This means that the boys parents have given their word and the marriage is fixed.

TIKA - Unlike in the plains on this day the groom’s younger brother brings the engagement ring to the brides place and again unlike the plains he slips it into the bride’s ring finger. He also presents her with jewellery, sweets, clothes, and dry fruits. Similarly the girl’s side also sends the engagement ring and other such things for the groom.

SUWAL PATHAI AND RANGWALI - On this day GANESH puja is done. During the puja three small cloth pieces are taken in which turmeric pieces, ROLI, SUPARI, AXSHAT (soaked rice) and coins are put and tied. One each is placed in the kitchen, one on the entrance to the house and the third is tied to the wok/pan which is to be used for making various dishes for the marriage. Later statues of ‘SAMDHI & SAMDHAN’ are made by using TIL, RICE ATTA and JAGGERY. These are later put in a small basket and decorated. These are exchanged on the day of marriage. Big PAPARS are made of atta, dried in the sun and later fried. These Papars are called ‘SUWALE’. These are also exchanged along with sweets on the marriage day. In so far as ‘RANGWALI’ is concerned it is a big piece of cloth which is to be used as a ‘DUPPATA’ and worn by the bride, her mother and all her female relatives, similarly it is worn by the grooms mother and his female relatives. Yellow cloth is used for rangwali. Small red spots are made on it by using home made vegetable dyes and later it is dried in the sun. It is made with the help of all female relatives, traditional songs are sung when it is made.

PURWANG - This is celebrated in the morning of the marriage day. Parents of the bride keep fast, puja is done. Later the bridegrooms family bring the ‘UBTAN’ (which is a mixture of ATTA, TURMERIC powder, RYE seeds, other traditional herbs and oil) used by the groom for his bath. All female relatives take turns to put this paste of UBTAN on the brides body. Later she is given a bath. The groom is also similarly given a traditional bath. The bride is required to keep her hair open. The brides father after puja ties a small yellow / pink cloth piece (called KANKAN) on the left wrist of the bride. A similar cloth piece is tied on the left wrist of the brides mother. Similar piece of cloth is also tied to the grooms right wrist. The cloth piece contains one whole beetle nut, turmeric piece, coins, ‘AK-XATCH’ (whole rice)and ROLI. These are opened on the fourth day of marriage.

BARAT - This is the arrival of the main marriage party. In the grooms house the grooms mother stands on the main door and blocks it and reminds her son the sacrifices she made in raising him. The groom gives his mother money which is symbolic of the sacrifices she made. His sister in laws and other female relatives decorate his eyes with black KHOL. The groom is then put on a horse and given a traditional send off. All female sing typical folk songs meant for this occasions.

DHULIARGH - (Its literal meaning is a ceremony conducted at a time when the cows are returning home) When the marriage party reaches the brides house, the bride’s brother receives him and uses a red umbrella to escort him to the spot where the marriage ceremonies are to take place. The bride’s father washes his feet as also the feet of the Brahmin who has come with the grooms party. They both are given clothes, watch, jewelery, and money. Later both the Brahmins tell those present, the family history of each side going back seven generations. The female relatives of the bride in the meanwhile sing traditional songs in the back ground.

KANYADAN - The literal meaning is ‘giving a girl away’. During this ceremony both parties sit side by side. A small makeshift curtain separates the bride and the broom. The mother puts her ‘ANCHAL’ on top the bride and escorts her to the place of the marriage ceremony. Both Brahmins conduct the marriage ceremony by chanting traditional Sanskrit chants. The bride’s father gives his daughter hand to the groom. Later the whole ceremony is finished and the groom puts the red roli on the ‘MANG’ or hair parting of the bride. The girl is now deemed to have been married. The marriage party leaves for their house before first light. They are given a traditional send off where all females sing traditional marriage songs.